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What if you could come back after death to watch over your loved one, installing yourself in a treasured mug, for example, or perhaps your mother’s hearing aid, a diary, or even a climbing frame, to feel the clambering limbs of a beloved sister? Eleven recently deceased protagonists find themselves floating in the afterlife where a nameless ghost offers them a joyous reunion with their loved ones. But not as you would expect.
International Booker shortlisted literary sensation Mieko Kawakami serves us a thrilling, stylish noir of buried secrets and shocking acts.
This internationally acclaimed masterpiece traces the interwoven destinies of five women – including a wealthy middle-aged housewife, a sex worker and a schoolteacher – as they arrive by different paths to live together in an abundant garden on the outskirts of Tehran. Drawing on elements of Islamic mysticism and recent Iranian history, this unforgettable novel depicts women escaping the narrow confines of family and society, and imagines their future living in a world without men.T.
THE KOREAN SENSATION
For lovers of The Midnight Library and Days at the Morisaki Bookshop, discover a spellbinding novel about a mysterious bookshop that exists outside of time and space, where the past is only a page away?
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‘Tender and thrilling it’s Yuzuki at her best’ELLE
‘Deliciously satisfying’iPAPER
‘I couldn’t stop reading’ COSTANZA CASATI
‘Unsettling, compelling, richly written’ JODIE HARSH
The unmissable new novel of friendship and dangerous obsession from Asako Yuzuki, the award-winning author of the global bestselling sensation Butter.
Winner of the 2026 International Booker Prize
Disguised as a translation of a rediscovered text by a Japanese writer, Taiwan Travelogue is a bittersweet story of love between two women, nested in an artful exploration of language, history and power. Set in May 1938, the young novelist Aoyama Chizuko sails from Japan to Taiwan where her interpreter helps her experience real island life and taste as much of its authentic cuisine as her famously monstrous appetite can bear.
He’s the best cop they’ve got. When a drug bust turns into a bloodbath it’s up to Inspector Macbeth and his team to clean up the mess. He’s also an ex-drug addict with a troubled past. He’s rewarded for his success. Power. Money. Respect. They’re all within reach. But a man like him won’t get to the top. Plagued by hallucinations and paranoia, Macbeth starts to unravel. He’s convinced he won’t get what is rightfully his. Unless he kills for it.
Thought-provoking and powerfully ambivalent, this book offers an extraordinary meditation on the many complex afterlives of the Holocaust. It is a novel about individual and collective inheritance, individual and collective violence; about memory, trauma, connection and estrangement. It asks what it means to be a Jew in the long wake of the 20th century, and how the past lives on in the present.
One morning in December, Kyungha is called to her friend Inseon’s hospital bedside. Airlifted to Seoul for an operation following a wood-chopping accident, Inseon is bedridden and begs Kyungha to take the first plane to her home on Jeju Island to feed her pet bird, who will quickly die unless it receives food. Unfortunately, as Kyungha arrives a snowstorm hits. Lost in a world of snow, she begins to wonder if she will arrive in time to save the bird – or even survive the terrible cold that envelops her with every step. But she doesn’t yet suspect the darkness which awaits her at her friend’s house. There, the long-buried story of Inseon’s family surges into light, in dreams and memories passed from mother to daughter, and in a painstakingly assembled archive, documenting the terrible massacre seventy years before that saw 30,000 Jeju civilians murdered.
On a spring day in 1998, literature professor Bluma Lennon buys a used copy of Emily Dickinson’s poems from a Soho bookshop. Moments after she starts reading it, she’s struck by a car on a street corner and killed. After her funeral, one of her colleagues – the book’s narrator – receives a package addressed to Bluma: a broken-spined old copy of Conrad’s The Shadow-Line, inscribed with her own dedication. Intrigued, he sets off on a quest that leads him to Buenos Aires, searching for clues about Carlos Brauer, a devoted book collector, and his mysterious connection to Bluma. Already a worldwide classic in its genre, The Paper House is a venture beyond our shadow lines, and what we fear to leave behind to cross them.
Christmas, 1983. In the aftermath of yet another furious argument, seven-year-old Andrev’s mother lets him in on a secret: his father is, in fact, not his father. And so begins a new kind of childhood, in which fathers come and go, arriving in red Volvos and sweeping his mother off her feet. Fathers can be magicians or murderers, artists or canoe enthusiasts, and, like growing pains, or the weather, they appear uninvited and leave without warning. Fathers are drawn to his mother like moths to a flame – but even she can’t control how they behave.
A lonely hut in the woods. A murder house. A hidden chamber. A mysterious shrine. A home in flames. A nightmarish prison. Each of the buildings in this book tells a chilling story. Each one is part of a puzzle. Look closely – and you’ll see that everything is connected. All leading to a revelation so horrifying you won’t want to believe it.
The power dynamics of the office are never more obvious than when it comes to food: mandatory lunches with the boss, the colleague who tries to curry favour with home-baked goods, discovering the discarded remnants of someone else’s late-night binge. In their Saitama office, Ashikawa is the kind of woman Nitani knows he will likely marry: sweet, obliging, and determined to wean him off his addiction to instant noodles. But he finds himself increasingly unable to respect her – or the sugary treats she shares around the workplace, winning their colleagues’ affection with baking rather than hard work. Oshio is bolder and uninhibited – she is Nitani’s drinking buddy. In the oppressive office atmosphere, the pair grows closer, both outsiders struggling with the rigid status quo.
‘Some things we know are present cannot be seen with our eyes.’ This Japanese belief has existed for thousands of years. Through tidying up and discarding their possessions, characters in these stories come face-to-face with their memories and realise that somethings exist but cannot be seen with their eyes. Each story touches on the moment when people realise what happiness in life means and choosing things that truly spark joy. In these stories, Miko, a professional tidying consultant based on Marie, helps people tidy their homes and identify items that bring them joy. Along with her companion, an opinionated talking box named Boxter, Miko has a special power that no one else knows about – the ability to hear the voices of objects in a room.
Cosy crime meets Before the Coffee Gets Cold in Masateru Konishi’s poignant and enchanting debut novel, My Grandfather, the Master Detective – a Japanese The Thursday Murder Club.
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