The wind in the willows
1 × £7.99 Aries
1 × £8.99 Meditations for mortals
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‘Meditations for Mortals’ takes us on a liberating journey towards a more meaningful life – one that begins not with fantasies of the ideal existence, but with the reality in which we actually find ourselves. Designed as a four-week ‘retreat of the mind’, it offers daily wisdom, solace and inspiration to aid a saner, freer, and more enchantment-filled way of living.
Beginning at a love hotel by Japan’s Inland Sea and ending by a river in Tasmania, ‘Question 7’ is about the choices we make about love and the chain reaction that follows. By way of H.G. Wells and Rebecca West’s affair through 1930s nuclear physics to Flanagan’s father working as a slave labourer near Hiroshima when the atom bomb is dropped, this daisy chain of events reaches fission when Flanagan as a young man finds himself trapped in a rapid on a wild river not knowing if he is to live or to die. At once a love song to his island home and to his parents, this hypnotic melding of dream, history, place and memory is about how our lives so often arise out of the stories of others and the stories we invent about ourselves.
One night Lauren finds a strange man in her flat who claims to be her husband. All the evidence – from photos to electricity bills – suggests he’s right. Lauren’s attic, she slowly realises, is creating an endless supply of husbands for her. There’s the one who pretends to play music on her toes. The one who’s too hot (there must be a catch). The one who makes a great breakfast sandwich. The one who turns everything into double entendres (‘I’ll weed your garden’). And the one who can calm her unruly thoughts with a single touch. But when you can change husbands as easily as changing a lightbulb, how do you know whether the one you have now is the good-enough one, or the wrong one, or the best one? And how long should you keep trying to find out?
Six astronauts rotate in their spacecraft above the Earth. They are there to collect meteorological data, conduct scientific experiments and test the limits of the human body. But mostly they observe. Together they watch their silent blue planet, circling it sixteen times, spinning past continents and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swells of oceans. Endless shows of spectacular beauty witnessed in a single day. Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home. They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction. The fragility of human life fills their conversations, their fears, their dreams. So far from Earth, they have never felt more part – or protective – of it.
Over the course of a decade from 2010, Rory Stewart went from being a political outsider to standing for prime minister – before being sacked from a Conservative Party that he had come to barely recognise. Tackling ministerial briefs on flood response and prison violence, engaging with conflict and poverty abroad as a foreign minister, and Brexit as a Cabinet minister, Stewart learned first-hand how profoundly hollow and inadequate our democracy and government had become. Cronyism, ignorance and sheer incompetence ran rampant. Around him, individual politicians laid the foundations for the political and economic chaos of today. Stewart emerged battered but with a profound affection for his constituency of Penrith and the Border, and a deep direct insight into the era of populism and global conflict. This book invites us into the mind of one of the most interesting actors on the British political stage.
Two kids meet in a hospital gaming room in 1987. One is visiting her sister, the other is recovering from a car crash. The days and months are long there. Their love of video games becomes a shared world – of joy, escape and fierce competition. But all too soon that time is over, fades from view. When the pair spot each other eight years later in a crowded train station, they are catapulted back to that moment. The spark is immediate, and together they get to work on what they love – making games to delight, challenge and immerse players, finding an intimacy in digital worlds that eludes them in their real lives. Their collaborations make them superstars.
Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life’s few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him when he was a baby. Ina’s gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina’s home in the woods outside the village is a place to fear and to avoid, a godless place. Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches.
Clara’s sister is missing. Angry, rebellious Rose, had a row with their mother, stormed out of the house and simply disappeared. Eight-year-old Clara, isolated by her distraught parents’ efforts to protect her from the truth, is grief-stricken and bewildered. Liam Kane, newly divorced, newly unemployed, newly arrived in this small northern town, moves into the house next door, a house left to him by an old woman he can barely remember and within hours gets a visit from the police. It seems he’s suspected of a crime. At the end of her life Elizabeth Orchard is thinking about a crime too, one committed thirty years ago that had tragic consequences for two families and in particular for one small child. She desperately wants to make amends before she dies.
We are all bombarded with advice about what we should and shouldn’t eat, and new scientific discoveries are announced every day. Yet the more we are told about nutrition, the less we seem to understand. Through his pioneering scientific research, Tim Spector has been shocked to discover how little good evidence there is for many of our most deep-rooted ideas about food. In a series of short, myth-busting chapters, ‘Spoon-Fed’ reveals why almost everything we’ve been told about food is wrong. Spector explores the scandalous lack of good science behind many medical and government food recommendations, and how the food industry holds sway over these policies and our choices.
When the van door slammed on Offred’s future at the end of ‘The Handmaid’s Tale,’ readers had no way of telling what lay ahead. With ‘The Testaments,’ the wait is over. Margaret Atwood’s sequel picks up the story 15 years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead.
Memory seems to be a recurring theme in Ogawa’s work. This is a world of extreme censorship, where whole beings and concepts are deemed irrelevant and forcibly forgotten across the town. The residents begin to wonder, what will happen when they forget the breeze? What happens when water disappears? It’s a surrealist story that balances the grief of memory loss and the importance of remembering as a society.
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Hat, ribbon, bird, rose. To the people on the island, a disappeared thing no longer has any meaning. It can be burned in the garden, thrown in the river or handed over to the Memory Police. Soon enough, the island forgets it ever existed. When a young novelist discovers that her editor is in danger of being taken away by the Memory Police, she desperately wants to save him. For some reason, he doesn’t forget, and it’s becoming increasingly difficult for him to hide his memories. Who knows what will vanish next? ‘The Memory Police’ is a beautiful, haunting and provocative fable about the power of memory and the trauma of loss from one of Japan’s greatest writers. For readers of The Handmaid’s Tale, Fahrenheit 451 and Nineteen Eighty-Four.
Award-winning campaigner and writer Caroline Criado Perez shows us how, in a world largely built for and by men, we are systematically ignoring half the population. She exposes the gender data gap – a gap in our knowledge that is at the root of perpetual, systemic discrimination against women, and that has created a pervasive but invisible bias with a profound effect on women’s lives. Caroline brings together for the first time an impressive range of case studies, stories and new research from across the world that illustrate the hidden ways in which women are excluded from the very building blocks of the world we live in, and the impact this has on their health and wellbeing.
‘Sapiens’ showed us where we came from. ‘Homo Deus’ looked to the future. ’21 Lessons for the 21st Century’ explores the present. How can we protect ourselves from nuclear war, ecological cataclysms and technological disruptions? What can we do about the epidemic of fake news or the threat of terrorism? What should we teach our children? Yuval Noah Harari takes us on a thrilling journey through today’s most urgent issues.
A shocking, hilarious and strangely tender novel about a young woman’s experiment in narcotic hibernation, aided and abetted by one of the worst psychiatrists in the annals of literature. Our narrator has many of the advantages of life, on the surface. Young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?
Harpman has crafted a short but poignant tale that hauntingly blends a bleak atmosphere with hope. Women imprisoned underground escape only to find an abandoned world, but they chase life and love despite it all. This is a story that lingers with you.
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Deep underground, 39 women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there and only vague notions of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl – the fortieth prisoner – sits alone and outcast in the corner. But soon she will show herself to be the key to the others’ escape and survival in the strange world that awaits them above.
There is nothing quite as beautiful as an English country house in summer. And there has never been a summer quite like that Indian summer between the two world wars, a period of gentle decline in which the sun set slowly on the British Empire and the shadows lengthened on the lawns of a thousand stately homes. Real life in the country house during the 1920s and 1930s was not always so sunny. By turns opulent and ordinary, noble and vicious, its shadows were darker. In ‘The Long Weekend’, Adrian Tinniswood uncovers the truth about a world half-forgotten, draped in myth and hidden behind stiff upper lips and film-star smiles.
The wind in the willows
1 × £7.99 Aries
1 × £8.99 Meditations for mortals
1 × £10.99 Subtotal: £27.97