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Once a shy young man from a town in Hungary, István is carried gradually upwards on the currents of the 21st century’s tides of money and power, moving from the army to the company of London’s super-rich, with his own competing impulses for love, intimacy, status and wealth winning him unimaginable riches, until they threaten to undo him completely. Spare and penetrating, ‘Flesh’ asks profound questions about what drives a life: what makes it worth living, and what breaks it.
As a child, Lucy Mangan was reading all the time, using books to navigate the challenges and complexities of this world and many others. As an adult, she uses her new relationship with literature to seize upon the most important question: (how) do books prepare us for life? ‘Bookish’ picks up where ‘Bookworm’ left off: at the cusp of teenage, when everything – including the way we read – undergoes a not-so-subtle transformation. Revisiting the books of all genres, that ferried her through each important stage of life, ‘Bookish’ is a coming-of-age in books. It’s an ode to our favourite bookish spaces – from the smallest second-hand bookstalls to libraries, glorious big bookshops and our very own book rooms – and a love story to how books not only shelter our souls through hard times and help us find ourselves when we feel lost, but also help us connect with the people we love through shared stories.
Drawing on their unrivalled access throughout the Labour party, the Times and Sunday Times investigative duo behind ‘Left Out’ now present the inside story of Labour’s transformation and general election under Starmer. This is the definitive telling of a momentous time for the party, focusing on Starmer’s relentless and single-minded pursuit of power and on the hidden turmoil as he expunged opponents and attempted to unite his party in the face of searingly divisive events. Richly peopled with all of the major figures of Labour present and past, and revealing who actually wields power in the party today, this is a must-read, warts-and-all picture of how Labour was ruthlessly transformed, how Starmer won Number 10 and who Britain’s government really is.
A glorious antidote to parenting books, this darkly humorous candid and insightful graphic memoir brings the early years of parenthood to life – in all their chaos, wonder and delirium. Intimate, relatable and very funny, Becky Barnicoat explores everything from the anatomy of the hospital bag to the frantic obsession with putting your baby down drowsy but awake, to the tyranny of gentle parenting. From pregnancy to the feral toddler years, Barnicoat extends a sticky hand to all new parents grappling with the impossible but joyous jigsaw puzzle of their lives.
One evening, ten-year-old Louisa and her father take a walk out on the breakwater. They are spending the summer in a coastal Japanese town while her father Serk, a Korean émigré, completes an academic secondment from his American university. When Louisa wakes up hours later, she has washed up on the beach and her father is missing, likely drowned. The disappearance of Louisa’s father shatters their small family unit, and she and her American mother Anne return to the US profoundly changed. This traumatic event reverberates across time and space, as we follow mother and daughter trying to go on with their lives, while the mystery of what really happened to Serk that night slowly unravels.
Sarah Perry’s father-in-law, David, died at home nine days after a cancer diagnosis and having previously been in the good health. The speed of his illness outstripped that of the NHS and social care, so the majority of nursing fell to Sarah and her husband. They witnessed what happens to the body and spirit, hour by hour, as it approaches death. This title is an unstinting account of death by cancer, a reportage into the daily experience of caring, an exploration of the structural conditions of dying in the UK, and most importantly a testament to David’s life, that of an ordinary man. Unflinching and profoundly moving, Sarah Perry confronts the taboo surrounding death and shows us how to confront all of the terror and beauty that comes with the end of life – and how the saddest thing she has ever seen is also the best thing she’s ever done.
It’s 2022, and Heron has just had the sort of visit to the doctor that turns a life upside down. He’s an old man, stuck in the habits of a quiet life. Telling Maggie, his only daughter, and the person his life has revolved around for so long, seems impossible. Heron can’t tell her about the diagnosis, and he can’t tell her all the other things he’s been keeping from her all these years either. It’s 1982, and Dawn is a young mother – just beginning to adjust to life in her husband’s house rather than her parents’ – when Hazel breezes into her life like a torch in the dark. It’s the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than she ever expected. But Dawn has responsibilities, she has commitments: Dawn has Maggie. ‘A Family Matter’ is at once heart-breaking and hopeful, asking how we might heal from the wounds of the past.
Evelyn had the surprising thought that bodies were sometimes wiser than the people inside them. She’d have liked to impress somebody with this idea, but couldn’t explain it. On a winter Saturday night in post-war Bristol, sisters Moira and Evelyn, on the cusp of adulthood, go to an art students’ party in a dockside pub; there they meet two men, Paul and Sinden, whose air of worldliness and sophistication both intrigues and repels them. Sinden calls a few days later to invite them over to the grand suburban mansion Paul shares with his brother and sister, and Moira accepts despite Evelyn’s misgivings. As the night unfolds in this unfamiliar, glamorous new setting, the sisters learn things about themselves and each other that shock them, and release them into a new phase of their lives.
A wildly inventive story collection from legendary film director Pedro Almodóvar. ‘The Last Dream’ brings together twelve unpublished stories from Almodóvar’s personal archive, written between the late sixties and the present day.
For the last 100,000 years, humans have accumulated enormous power. But despite all our discoveries, inventions and conquests, we now find ourselves in an existential crisis. The world is on the verge of ecological collapse. Misinformation abounds. And we are rushing headlong into the age of AI – a new information network that threatens to annihilate us. If we are so wise, why are we so self-destructive? ‘Nexus’ considers how the flow of information has shaped us, and our world. Taking us from the Stone Age through the Bible, early modern witch-hunts, Stalinism, Nazism and the resurgence of populism today, Yuval Noah Harari asks us to consider the complex relationship between information and truth, bureaucracy and mythology, wisdom and power. He explores how different societies and political systems have wielded information to achieve their goals, for good and ill.
‘Meditations for Mortals’ takes us on a liberating journey towards a more meaningful life – one that begins not with fantasies of the ideal existence, but with the reality in which we actually find ourselves. Designed as a four-week ‘retreat of the mind’, it offers daily wisdom, solace and inspiration to aid a saner, freer, and more enchantment-filled way of living.
Beginning at a love hotel by Japan’s Inland Sea and ending by a river in Tasmania, ‘Question 7’ is about the choices we make about love and the chain reaction that follows. By way of H.G. Wells and Rebecca West’s affair through 1930s nuclear physics to Flanagan’s father working as a slave labourer near Hiroshima when the atom bomb is dropped, this daisy chain of events reaches fission when Flanagan as a young man finds himself trapped in a rapid on a wild river not knowing if he is to live or to die. At once a love song to his island home and to his parents, this hypnotic melding of dream, history, place and memory is about how our lives so often arise out of the stories of others and the stories we invent about ourselves.
One night Lauren finds a strange man in her flat who claims to be her husband. All the evidence – from photos to electricity bills – suggests he’s right. Lauren’s attic, she slowly realises, is creating an endless supply of husbands for her. There’s the one who pretends to play music on her toes. The one who’s too hot (there must be a catch). The one who makes a great breakfast sandwich. The one who turns everything into double entendres (‘I’ll weed your garden’). And the one who can calm her unruly thoughts with a single touch. But when you can change husbands as easily as changing a lightbulb, how do you know whether the one you have now is the good-enough one, or the wrong one, or the best one? And how long should you keep trying to find out?
Six astronauts rotate in their spacecraft above the Earth. They are there to collect meteorological data, conduct scientific experiments and test the limits of the human body. But mostly they observe. Together they watch their silent blue planet, circling it sixteen times, spinning past continents and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swells of oceans. Endless shows of spectacular beauty witnessed in a single day. Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home. They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction. The fragility of human life fills their conversations, their fears, their dreams. So far from Earth, they have never felt more part – or protective – of it.
Over the course of a decade from 2010, Rory Stewart went from being a political outsider to standing for prime minister – before being sacked from a Conservative Party that he had come to barely recognise. Tackling ministerial briefs on flood response and prison violence, engaging with conflict and poverty abroad as a foreign minister, and Brexit as a Cabinet minister, Stewart learned first-hand how profoundly hollow and inadequate our democracy and government had become. Cronyism, ignorance and sheer incompetence ran rampant. Around him, individual politicians laid the foundations for the political and economic chaos of today. Stewart emerged battered but with a profound affection for his constituency of Penrith and the Border, and a deep direct insight into the era of populism and global conflict. This book invites us into the mind of one of the most interesting actors on the British political stage.
Two kids meet in a hospital gaming room in 1987. One is visiting her sister, the other is recovering from a car crash. The days and months are long there. Their love of video games becomes a shared world – of joy, escape and fierce competition. But all too soon that time is over, fades from view. When the pair spot each other eight years later in a crowded train station, they are catapulted back to that moment. The spark is immediate, and together they get to work on what they love – making games to delight, challenge and immerse players, finding an intimacy in digital worlds that eludes them in their real lives. Their collaborations make them superstars.
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