Showing 49–60 of 172 resultsSorted by latest
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As an incurable bluestocking from a family tumbling swiftly toward ruin, Evelyn knows she’ll never make a match in a ballroom. Her only hope is to distinguish herself by making the biggest splash in the one sphere she excels: on horseback. In haute couture. But to truly capture London’s attention she’ll need a tailor who’s not afraid to take risks. Half-Indian dressmaker Ahmad is inching his way toward recognition by designing riding habits for Rotten Row’s infamous Pretty Horsebreakers – but no one compares to Evelyn. Her unbridled spirit enchants him, awakening a depth of feeling he never thought possible. But pushing boundaries comes at a cost and not everyone is pleased to welcome Evelyn and Ahmad into fashionable society.
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Loveday Cardew’s beloved Lost for Words bookshop, along with the rest of York, has fallen quiet. At the very time when people most need books to widen their horizons, or escape from their fears, or enhance their lives, the doors are closed. Then the first letter comes. Rosemary and George have been married for fifty years. Now their time is running out. They have decided to set out on their last journey together, without ever leaving the bench at the bottom of their garden in Whitby. All they need is someone who shares their love of books. Suddenly it’s clear to Loveday that she and her team can do something useful in a crisis. They can recommend books to help with the situations their customers find themselves in: fear, boredom, loneliness, the desire for laughter and escape. And so it begins.
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Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience – classics which will endure for generations to come.
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From the day they first meet as teenagers Fern and Jessica are best friends. Despite their differences, they are there for each other throughout everything, navigating the difficulties of growing up and fitting in. That is until Jessica crosses a line that Fern can’t forgive. But now, more than ten years later, Jessica has unexpectedly reappeared in Fern’s life. A lot has changed for them both – but can their relationship be different now they are older? Is it possible for either of them to rewrite the role that they have been cast in? Or will their shared history ultimately be doomed to repeat itself again?
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The Empire is not just a theatre. From music hall to vaudeville, from revue to grand musical spectacular, it holds a special place in the nation’s heart. For its audience, for its actors and singers, for the stagehands, the front-of-house staff, for its backers and its debtors – and above all for its owners – it truly is a palace of dreams. And for young Jack Treadwell, struggling to adapt to civilian life after the war, it’s a lifeline. Looking for work, he arrives at The Empire, it’s owned by the family of his former commanding officer, Edmund Lassiter so he hopes to be given a chance. But as Jack soon discovers, it is not just the actors who are donning a disguise. With whispers of a cover-up, a scandal and sibling rivalry, tensions rise, along with the curtain. For there is treachery at the heart of The Empire and a dark secret waiting in the wings.
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Forgetting is terrifying. Remembering is worse?
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She’s a star on the rise, singing about the hard life behind her. She’s also on the run. Nashville is where she’s come to claim her destiny. It’s also where the darkness she’s fled might find her. And destroy her.
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18-year-old Celaena Sardothien is bold, daring and beautiful – the perfect seductress and the greatest assassin her world has ever known. But though she won the King’s contest and became his champion, Celaena has been granted neither her liberty nor the freedom to follow her heart. The slavery of the suffocating salt mines of Endovier that scarred her past is nothing compared to a life bound to her darkest enemy, a king whose rule is so dark and evil it is near impossible to defy. Celaena faces a choice that is tearing her heart to pieces.
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In these action-packed novellas, Celaena embarks on five daring missions. They take her from remote islands to hostile deserts, where she fights to liberate slaves and seeks to avenge the tyrannous. But she is acting against Arobynn’s orders and could suffer an unimaginable punishment for such treachery. Will Celaena ever be truly free? Explore the dark underworld of this kick-ass heroine to find out.
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Lost and broken, Celaena Sardothien’s only thought is to avenge the savage death of her dearest friend: as the King of Adarlan’s Assassin, she is bound to serve this tyrant, but he will pay for what he did. Any hope Celaena has of destroying the king lies in answers to be found in Wendlyn. Sacrificing his future, Chaol, the Captain of the King’s Guard, has sent Celaena there to protect her, but her darkest demons lay in that same place. If she can overcome them, she will be Adarlan’s biggest threat – and his own toughest enemy.
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‘Throne of Glass’ begins the sweeping saga of assassin Celaena Sardothien, who is serving a life sentence in the mines of Endovier – until a young captain of the guard offers her a deal. She will have her freedom, on one condition: she must fight to win a deadly competition to serve as the champion of the king. The king who rules his kingdom with a cruel and merciless hand. Live or die, Celaena will be free. Win or lose, her destiny will claim her.
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Expectation meets Julie and Julia, ‘The Yellow Kitchen’ is an exploration of food, belonging, and friendship. London E17, 2019. A yellow kitchen stands as a metaphor for the lifelong friendship between three women: Claude, the baker, goal-orientated Sophie and political Giulia. They have the best kind of friendship, chasing life and careers; dating, dreaming and consuming but always returning to be reunited in the yellow kitchen. That is, until a trip to Lisbon unravels unexplored desires between Claude and Sophie. Having sex is one thing, waking up the day after is the beginning of something new. Exploring the complexities of female friendship, ‘The Yellow Kitchen’ is a hymn to the last year of London as we knew it and a celebration of the culture, the food and the rhythms we live by.