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£22.00
We tend to think that everything important comes from the centre: from big cities, from established orthodoxies in the sciences and the arts, from the Establishment in all its forms. We think this because the centre tells us it is so, but it’s a lie. It is only at the edges that we think, innovate and thrive. This book travels to the frontiers of human culture and consciousness; to the edges of continents, of evolution, of artistic and political movements, and life itself: from a rocky precipice in the Peloponnese where the first human set foot in Europe to an ancient Egyptian temple where monotheism was invented; from St Francis, kissing lepers to the giant bird-eating mice of St Kilda.
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£30.00
On 15th October 1958 Sotheby’s of Bond Street staged an ‘event sale’ of seven Impressionist paintings belonging to Erwin Goldschmidt: three Manets, two Cézannes, one Van Gogh and a Renoir. Kirk Douglas, Anthony Quinn and Somerset Maugham were there as celebrity guests. The seven lots went for 781,000 – at the time the highest price for a single sale. The event established London as the world centre of the art market and Sotheby’s as an international auction house. It began a shift in power from the dealers to the auctioneers and pointed the way for Impressionist paintings to dominate the market for the next forty years. While Sotheby’s is the lynchpin of the story, Stourton populates his narrative with a glorious rogue’s gallery of clever amateurs, eccentric scholars, brilliant emigrés, cockney traders and grandees with a flair for the deal.
