Sisters in Yellow
£16.99International Booker shortlisted literary sensation Mieko Kawakami serves us a thrilling, stylish noir of buried secrets and shocking acts.
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International Booker shortlisted literary sensation Mieko Kawakami serves us a thrilling, stylish noir of buried secrets and shocking acts.

‘I love Ben Brooks.’ Matt Haig ‘Brooks is a frightening young talent.’ Tim Key
HOW MUCH SHOULD ONE PERSON GIVE TO MAKE THE WORLD A BETTER PLACE? AND HOW MUCH CAN ONE FAMILY TAKE?
When Arthur Candlewick falls down a disused mineshaft with only his son’s drug stash, a book on the concept of ‘effective altruism’ and a bottle of medium-priced Bordeaux for company, his life takes an unexpected turn. Determined to sell up the family timber business and devote his remaining time on earth to giving away his wealth in a way which does most good to humanity, his decision will leave a lasting legacy to the world but have unintended and unforeseen consequences for those he loves the most.

This internationally acclaimed masterpiece traces the interwoven destinies of five women – including a wealthy middle-aged housewife, a sex worker and a schoolteacher – as they arrive by different paths to live together in an abundant garden on the outskirts of Tehran. Drawing on elements of Islamic mysticism and recent Iranian history, this unforgettable novel depicts women escaping the narrow confines of family and society, and imagines their future living in a world without men.T.


In the aftermath of a massacre from which he doubts the world will ever recover, Ferdinand Draxler finds himself at the crossroads of history. Unless it’s just a bend in the cul-de-sac of his own gloomy nature. The son of a Holocaust survivor who accuses him of cowardice and the father of a daughter who accuses him of genocide, Draxler longs to be a hero for his people or the comic scourge of their enemies, but does he have the mettle to be either? He isn’t even sure he has what it takes to go mad. He wades through protests and searches London for menacing graffiti, whilst dodging the warring staff in the primary school where he is headmaster and the pleas of his non-Jewish wife to seek ‘mental health’ support. But can’t she see that the world is crumbling around them, and he is at the centre?

It’s the mid-1960s and Lillian Wells is a clever teenager with a daring pixie cut, tangerine mini-dress and new boyfriend, Jim, who works at the brewery. Even better, he lives across the road, so she’s never far from her bee-hived, high-heeled single mother Winnie, who is prone to attacks of the nerves. But Lillian harbours secret dreams of going to art school in London. When she gets in, how will she tell her mother – and Jim – that she’s leaving Abingdon – and them? Forty years later, Lillian’s own daughter Rachel is heading off to university, but Lillian is not sure either of them are ready. She sees herself and Winnie in Rachel, who is ambitious and intelligent, but also prone to nervous habits. As Lillian tries to bite her tongue about Rachel’s symptoms, she is reminded of what everyone in Abingdon used to say: It’s a short road to Longbrook – the local institution for the mentally ill.

Christmas, 1983. In the aftermath of yet another furious argument, seven-year-old Andrev’s mother lets him in on a secret: his father is, in fact, not his father. And so begins a new kind of childhood, in which fathers come and go, arriving in red Volvos and sweeping his mother off her feet. Fathers can be magicians or murderers, artists or canoe enthusiasts, and, like growing pains, or the weather, they appear uninvited and leave without warning. Fathers are drawn to his mother like moths to a flame – but even she can’t control how they behave.

Yana, a vampire hunter, rides into Koprivci promising salvation. The village’s curse has endured for many years and rumour has it that Anka – whose parents died on the night of her birth – is to blame. But enduring the villagers’ suspicion is the least of Anka’s worries; now she has reached womanhood, she can no longer avoid the odious marriage that seems to be her only option. When animal corpses start to appear in the village square and eggs filled with blood are found in the chicken coops, panic rises. The villagers look to Yana for hope. She knows all about the monsters that stalk the night, monsters that only she can vanquish. But Yana is a liar. And monsters come in all different forms. Yana and Anka become unlikely allies in hatching a plot to save both Koprivci and Anka from their fates. But then their plan takes on a horrifying life of its own.

Everyone’s talking about Janey Devine. Glasgow, 1979. While walking her dog, twelve-year-old Janey finds a murdered woman on an abandoned railway – and her innocent childhood ends in a shocking moment of trauma. When the victim is named as daughter of a local hardman, Janey’s nana, Maggie, is distraught and deeply afraid. Janey claims she can’t remember what she saw that day, but the police think she’s hiding something, and they’re not the only ones interested. Maggie tries desperately to keep Janey safe but is battling long-buried secrets of her own. As fear and rumour stalk the streets of Possilpark, Maggie becomes convinced she will lose her beloved granddaughter forever – especially when Janey starts to remember exactly what happened in that bad, bad place.

Dan and Tamma are two Californian teenagers growing up dirt poor in the shadows of the Joshua Tree National Park, one of the world’s great rock climbing meccas. Their mothers had once been teenage waitresses and best friends until their paths diverged. Now Dan’s mother spends her days locked in her room, her dreams squandered and all her hopes pinned on getting her precociously clever son out of town and away to university. Tamma’s mother holds no such ambition for her mouthy, snaggle-toothed, truant-playing, queer younger daughter, who everyone but Dan believes to be a troublemaker and no-hoper. But Tamma and Dan are fuelled by dreams of becoming legendary rock climbers, of devoting their lives to summiting the most challenging climbs and defying all the expectations, both good and bad, that others have for them.


In this vivid portrait of one day in a woman’s life, Clarissa Dalloway is preoccupied with the last-minute details of a party she is to give that evening. As she readies her house she is flooded with memories and re-examines the choices she has made over the course of her life.


Oliver is an orphan living on the dangerous London streets with no one but himself to rely on. Fleeing from poverty and hardship, he falls in with a criminal street gang who will not let him go, however hard he tries to escape. Dickens graphically conjures up the capital’s underworld, full of sex workers, thieves and lost and homeless children, and gives a voice to the disadvantaged and abused.

It’s 2022, and Heron has just had the sort of visit to the doctor that turns a life upside down. He’s an old man, stuck in the habits of a quiet life. Telling Maggie, his only daughter, and the person his life has revolved around for so long, seems impossible. Heron can’t tell her about the diagnosis, and he can’t tell her all the other things he’s been keeping from her all these years either. It’s 1982, and Dawn is a young mother – just beginning to adjust to life in her husband’s house rather than her parents’ – when Hazel breezes into her life like a torch in the dark. It’s the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than she ever expected. But Dawn has responsibilities, she has commitments: Dawn has Maggie. ‘A Family Matter’ is at once heart-breaking and hopeful, asking how we might heal from the wounds of the past.

‘Sparkles with wit and insight? A must-read’ DOLLY ALDERTON
‘Extraordinary’ DAILY MAIL
‘An irresistible comedy of manners’ MAIL ON SUNDAY
‘Deliciously chaotic? feverishly funny – Harris has gleeful fun dissecting this timely tale’ THE TIMES, Book of the Month
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