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Tense, atmospheric and darkly funny, The Sleepwalkers is a a sublimely creepy contemporary gothic work about a relationship unravelling that asks urgent questions about a contemporary society where our basest selves are hidden in plain sight.
It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at a grand beachside hotel wearing her best dress and least comfortable shoes. Immediately she is mistaken by everyone in the lobby for one of the wedding people – but she’s actually the only guest at the Cornwall Inn who isn’t here for the big event. Phoebe has dreamed of coming here for years. She hoped to shuck oysters and take sunset sails with her husband but now she is divorced and depressed, and not sure how to go on. She’s not been sure how to do anything, lately, except climb into bed and drink gin and tonics and listen to the sound of the refrigerator making ice. When the bride discovers her elaborate destination wedding could be ruined by this sad stranger, she is furious.
Gary Thorn is struggling with a big decision. Should he stay in London, wallowing in the safety of his legal job in Peckham and eating pies with his next door neighbour, Grace and her dog Lassoo, or should he move to Brighton, where his girlfriend Emily is about to open The Hotel Avocado? Either way, he’d be letting someone down. But sinister forces are gathering in a cloud of launderette scented-vape smoke, and the arrival of the mysterious Mr Sequence puts Gary in an even worse predicament: soon he might be dead. All Gary wants is a happy life. But he also wants to be alive to enjoy it.
‘Spellbinding’ ELIF SHAFAK
‘Ingenious’ THE TIMES, Book of the Year
‘Sparkling’OBSERVER
‘A triumph’ PHILIP PULLMAN
‘As finely wrought as a dazzling Murano bead’ INDEPENDENT
‘Meticulously researched and evoking the beauty of the Venice lagoon’ PHILIPPA GREGORY
‘A spectacular feat, crafted by a maestra at the top of her game’ SPECTATOR
It is 1987, and in the aftermath of a great storm, Cora sets out with her nine-year-old daughter to register the birth of her son. Her husband intends for her to follow a long-standing family tradition and call the baby after him. But when faced with the decision, Cora hesitates. Going against his wishes is a risk that will have consequences, but is it right for her child to inherit his name from generations of domineering men? The choice she makes in this moment will shape the course of their lives.
Tara Selter has slipped out of time. Every morning, she wakes up to the 18th of November. She no longer expects to wake up to the 19th of November, and she no longer remembers the 17th of November as if it were yesterday. She comes to know the shape of the day like the back of her hand – the grey morning light in her Paris hotel; the moment a blackbird breaks into song; her husband’s surprise at seeing her return home unannounced. But for everyone around her, this day is lived for the first and only time. They do not remember the other 18ths of November, and they do not believe her when she tries to explain. As Tara approaches her 365th 18th of November, she can’t shake the feeling that somewhere underneath the surface of this day, there’s a way to escape.
Meet Daniel Sullivan, a man with a complicated life. A New Yorker living in the wilds of Ireland, he has children he never sees in California, a father he loathes in Brooklyn and a wife, Claudette, who is a reclusive ex-film star given to shooting at anyone who ventures up their driveway. He is also about to find out something about a woman he lost touch with 20 years ago, and this discovery will send him off-course, far away from wife and home. Will his love for Claudette be enough to bring him back?
London, 1847. In a quiet house in the countryside outside London, the finishing touches are being made to welcome a group of young women. The house and its location are top secret, its residents unknown to one another, but the girls have one thing in common: they are fallen. Offering refuge for prostitutes, petty thieves and the destitute, Urania Cottage is a second chance at life – but how badly do they want it? Meanwhile, a few miles away in a Piccadilly mansion, millionairess Angela Burdett-Coutts, one of the benefactors of Urania Cottage, makes a discovery that leaves her cold. Her stalker of ten years has been released from prison, and she knows it’s only a matter of time before their nightmarish game resumes once more. As the women’s worlds collide in ways they could never have expected, they will discover that freedom always comes at a price.
Hera is in her mid-twenties, which seems young to everyone except people in their mid-twenties. Since leaving school, she has been trying to kick and scream into existence a life she cares about, but with little success so far. Until she meets Arthur. He works with her, he is older than her, he is also married. But in her soulless office – the large cold room she feels destined to spend her life in – he is a source of much-needed sustenance. And though Hera has previously dated women, she soon falls headlong into a workplace romance that will quickly consume her life.
May 2021. London. Campbell Flynn – art historian and celebrity intellectual – is entering the empire of middle age. Fuelled by an appetite for admiration and the finer things, controversy and novelty, he doesn’t take people half as seriously as they take themselves. Which will prove the first of his huge mistakes. The second? Milo Manghasa, his beguiling and provocative student. Milo inhabits a more precarious world, has experiences and ideas which excite his teacher. He also has a plan. Over the course of an incendiary year, a web of crimes and secrets and scandals will be revealed, and Campbell Flynn may not be able to protect himself from the shattering exposure of all his privilege really involves. But then, he always knew: when his life came tumbling down, it would occur in public.
Following ship surgeon Lemuel Gulliver, Jonathan Swift’s satire, Gulliver’s Travels, is a humorous critique of the darker aspects of human nature. During his voyage, Gulliver visits four islands, each more bizarre and fantastical than the last.
Sydney Shaw, like every single woman in New York, has terrible luck with dating. She’s seen it all: men who lie in their dating profile, men who stick her with the dinner bill, and worst of all, men who can’t shut up about their mothers. Until she meets Tom. Tom is utterly perfect. He’s charming, handsome, and works as a doctor at a local hospital. Sydney is swept off her feet. Then the brutal murder of a young woman – the latest in a string of deaths across the coast – confounds police. The primary suspect? A mystery man who dates his victims before he kills them. Sydney should feel safe. After all, she has Tom, the man of her dreams. But she can’t shake her own suspicions that the perfect man may not be as perfect as he seems. Because someone is watching her every move, and if she doesn’t get to the truth, she’ll be the killer’s next victim.
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