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Tense, atmospheric and darkly funny, The Sleepwalkers is a a sublimely creepy contemporary gothic work about a relationship unravelling that asks urgent questions about a contemporary society where our basest selves are hidden in plain sight.
A writer engulfed by a new obsession, an occasional sex-worker, a runaway, a teenager entering the workplace: these four tales of desire and dislocation explore the rough edges of relationships and the inner lives of women negotiating their precarious place in the world. In these coolly compelling and quietly devastating stories, Gaitskill evokes with razor-sharp precision the pleasure, pain, fear and longing that haunt modern life.
Frankie has a love-hate relationship with the spotlight. She secretly craves attention, but she is ashamed of that craving. And after a lifetime of comparison to her perfect sister Bean, she has never felt more invisible. She creates a new her, utterly unrecognisable from the real Frankie. Then the worst happens. Bean is diagnosed with cancer. While Frankie wants to fill the freezer with home cooked food, her mother decides she knows better and somehow launches a nationwide cancer fundraiser, with Frankie as the supportive-sister-spokesmodel. Now everyone has their eyes on Frankie. With her mum and sister no longer speaking to her, Frankie flounders in her newfound notoriety. Feminists and misogynists rage at her online, while she attracts hundreds of new subscribers. Whether they’re demanding apologies or expecting an empowering call to arms, everyone wants Frankie to explain herself.
Fraught, disturbing and beautiful, ‘The Vegetarian’ is a novel about modern day South Korea, but also a novel about shame, desire, and our faltering attempts to understand others, from one imprisoned body to another.
When a giant sperm whale washes up on the local beach it tells Joe Gunner that death will follow him wherever he goes. Joe knows that the place he needs to go is back home.
In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. The symptoms are well known: her life will draw to an end in the coming days. Downstairs, the studio is a crucible glowing with memories and desire. It was here, when the first lockdown came, that she brought Halit. The lover she barely knew. A presence from another culture. A doorway into a new and feverish world.
Rachel is twenty-four, a lapsed Jew who has made calorie restriction her religion. By day, she maintains an illusion of control by way of obsessive food rituals. At night, she pedals nowhere on the elliptical machine. Then Rachel meets Miriam, a young Orthodox Jewish woman intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam – by her sundaes and her body, her faith and her family – and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk, and honey.
· A married woman has a BDSM-tinged encounter at a work conference
· Two young boys on a sleepover feel the first stirrings of desire
· In an artificially generated afterlife, anything can be sexual if you want it to be
· A young widow on a sleeper train shelters a criminal in her carriage
· A bisexual woman cheats on her wife with a baker
‘Xstabeth’: In St Petersburg, Russia, Aneliya is torn between the love of her father and her father’s best friend. Her father dreams of becoming a great musician but suffers with a naivete that means he will never be taken seriously. Her father’s best friend has a penchant for vodka, strip clubs and moral philosophy. When an angelic presence named Xstabeth enters their lives – a presence who simultaneously fulfils and disappears those she touches – Aneliya and her father’s world is transformed. ‘The Towers, The Fields, The Transmitters’ is the prequel to ‘Xstabeth’.
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