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You think it will never happen to you: the ring of the bell, the police on the doorstep. First they check you’re who they expected to find at the address. What they say next traps you in a nightmare, and there seems to be no way out. It starts with the words, ‘I’m afraid…’
1950s, rural Ireland. A loner comes across a mysteriously empty car in a field. Knowing he shouldn’t approach, but unable to hold back, he soon finds himself embroiled in a troubling missing person’s case, as a husband claims his wife may have thrown herself into the sea. Called in from Dublin to investigate is Detective Inspector Strafford, who soon turns to his old ally – the flawed but brilliant pathologist Quirke – a man he is linked to in increasingly complicated ways.
Four strangers on a train. An unlikely introduction: ‘Actually, I’m a murderer.’ Set in the north-east of England in the seventies, the lives of four people are thrown into turmoil when sharing a carriage with an unremarkable little man with round glasses, on the night train back to Newcastle. By the end of the following day, one of them will be dead, one will turn blackmailer and another forced to commit a crime. And all of them will be under the astute and watchful observation of Aline, the local police officer with her own agenda to fulfil. And then the body count begins to rise which begs the question – just how many actual murderers are out there – and who will be the next victim?
Felix and his best friend Isaac love mysteries – chasing clues, identifying suspects, catching criminals – they can’t wait to open their own detective agency. So when Felix’s parents’ Lucky House takeaway is cursed with a spate of bad luck, Felix is determined to find the culprit.
Every night, in the college’s ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story. One dark October evening in the defunct churchyard, they find a hole that wasn’t there before. A fresh, open grave where no grave should be. But who dug it, and for whom? Before they go their separate ways, the gravedigger returns. As they trail him through the night, they realise he may be the key to a string of strange happenings around town that have made headlines for the last few weeks – and that they may be closer to the mystery than they thought.
In the spring of 1990, we return to Champton, where the characters we’ve come to love are all aflutter as a glamorous movie set takes over the village. As the actors don their bonnets, gowns and crowns, a murder interrupts filming on set – and it’s an ingenious murder. Can Daniel solve the mystery with help from his sidekick Detective Sergeant Neil Vanloo – even when things are so sticky between them?
At midsummer the Cornish villagers of Trevennick dance around bonfires and make offerings to the river. It’s not the sort of thing that appeals to Audrey Delaney, who is very much a city mouse. But when her (sort of) boyfriend Noah whisks her away on a surprise trip to the West Country, she’s determined to do the best she can to enjoy herself, if that’s what it takes to remove the question mark from their relationship. Then their first night ends in tragedy, and Audrey finds herself embroiled in a police enquiry and unsure who to trust. She’ll have to untangle the mysteries of this insular community quickly, though, because people are dying fast.
Another clever and intriguing crime mystery from the author of the Sunday Times bestseller, The Turnglass.
The mature students of Royal Hastings University’s new art course have been trouble from day one. From acclaimed artist Alyson who seems oddly overqualified, to hapless Patrick who can barely operate design software, and city boy Cameron who blusters his way through assignments. Not to mention Jem, who’s a gifted young sculptor – but cross her at your peril. The year-long course is blighted by students setting fire to one another’s artwork, a rumoured extra-marital affair and a disastrous road trip. But finally they are given their last assignment: to build an art installation for a local manufacturer. With six students who have nothing in common except their clashing personal agendas, what could possibly go wrong? The answer is: murder.
A group of friends gather in a country house for a birthday party. At their host’s request, they each write a short mystery. They draw names from a hat: in each story, one of the group is the killer, and another the victim. Of course, when given such a task, it’s only natural to use what you know. Secrets. Grudges. Illicit love. It’s just that once you put it in a story, the secret is out. Oh, and just one more thing: this is a story that ends with a murder.
Nina, a teenage runaway, wakes up in the unfamiliar stairwell of a Tel Aviv apartment in a torn minidress. As her memory starts to resurface – the abusive older man she’s running away from, the crime she witnessed – she knows one thing: she needs to find a place to hide. When one of the building’s tenants, Carmela, a lonely old widow suffering from memory loss, mistakes Nina for her granddaughter she hasn’t seen in years, Nina jumps at the opportunity for a safe haven. Soon, the two strangers become each other’s lifeline as Nina settles into the apartment with sweet, reassuring Carmela. Meanwhile, Irina, a Russian immigrant, is living a parent’s worst nightmare: her only daughter has gone missing. She knows Nina got involved with the wrong men and will do anything to find her. Across the ocean, Itamar feels that something is happening to his mom, Carmela.
In one of the most luxurious cities on earth, a billion-dollar deal is about to go badly wrong. A lavish night out is about to end in murder. And the British government is about to be plunged into crisis.
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