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In 1930s England, Christopher Banks has become one of the country’s most celebrated detectives. His cases are the talk of London society. Yet one mystery has always haunted him, the disappearance of his parents in Old Shanghai, when he was a boy.
In a large house in London’s fashionable Chelsea, a baby is awake in her cot. Well-fed and cared for, she is happily waiting for someone to pick her up. In the kitchen lie three decomposing corpses. Close to them is a hastily scrawled note. They’ve been dead for several days. Who has been looking after the baby? And where did they go? Two entangled families. A house with the darkest of secrets.
Ruth Butterham is young, poor and awaiting trial for murder. When Dorothea’s charitable work leads her to Oakgate Prison, she finds herself drawn to Ruth, a teenage seamstress – and self-confessed murderess – who nurses a dark and uncanny secret. A secret that is leading her straight to the gallows. As Ruth reveals her disturbing past to Dorothea, the fates of these two women entwine, and with every revelation, a new layer of doubt is cast. Can Ruth be trusted? Is she mad, or a murderer?
A small, broken town sits on the edge of a frozen lake surrounded by a forest, its wounds still raw from a tragedy that tore its fragile community in two. Beartown has lost its way. Now the cold and dark that surround the snowbound town creep in, and so do new conflicts and tensions. What was once a friendly rivalry with the neighbouring town is beginning to turn sinister and Beartown braces itself for another tragic blow. How far will the people of Beartown go to preserve their reputations for a second, deadly time?
Oakham, near Bruton, is a tiny village by a big river without a bridge. When a man is swept away by the river in the early hours of Shrove Saturday, an explanation has to be found. Was it murder, or suicide, or an accident? The whole story is relayed by the village priest, John Reve, who in his role as confessor is privy to a lot of information that others have not. But will he be able to explain what happened to the victim, Tom Newman, the wealthiest, most capable and industrious man in the village? And what will happen if he can’t?
George Smiley, who is a troubled man of infinite compassion, is also a single-mindedly ruthless adversary as a spy. The scene which he enters is a Cold War landscape of moles and lamplighters, scalp-hunters and pavement artists, where men are turned, burned or bought for stock. Smiley’s mission is to catch a Moscow Centre mole burrowed thirty years deep into the Circus itself.
Newly married, newly widowed Elsie is sent to see out her pregnancy at her late husband’s crumbling country estate, The Bridge. With her new servants resentful and the local villagers actively hostile, Elsie only has her husband’s awkward cousin for company. Or so she thinks. But inside her new home lies a locked room, and beyond that door lies a 200-year-old diary and a deeply unsettling painted wooden figure that bears a striking resemblance to Elsie herself.
When Peter, Margaret and Celia inherit a rambling old house from an uncle, they soon realise that for years no one has been keen to set foot in the place. The things that go bump in the night take a more sinister turn when a murder is committed.
A gang war is raging in Brighton. Pinkie is 17 and fighting for leadership. He has already proved his ruthlessness by killing Hale, a journalist. But he isn’t prepared for the courageous Ida Arnold who is determined to avenge Hale’s death.
An account of the adventures of a big-game hunter offers glimpses of man-eating leopards, fear-maddened elephants, charging buffalo, cunning hyenas, and other great killers of the African bush country.
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