Freakonomics
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Things I Dont Want To Know
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THE INSTANT TOP 5 IRISH BESTSELLER
SHORTLISTED FOR THE JOHN McGAHERN BOOK PRIZE 2025
‘Wild, singular?gripped me from the start’ DOUGLAS STUART
‘Passionate, wild, hugely atmospheric’ DAVID NICHOLLS
‘Intelligent, probing’ MAGGIE O’FARRELL
‘A gorgeous, mysterious read’ AISLING BEA
‘I adored it’ LOUISE KENNEDY
LONGLISTED FOR THE 2025 DUBLIN LITERARY AWARD
One night Lauren finds a strange man in her flat who claims to be her husband. All the evidence – from photos to electricity bills – suggests he’s right. Lauren’s attic, she slowly realises, is creating an endless supply of husbands for her. There’s the one who pretends to play music on her toes. The one who’s too hot (there must be a catch). The one who makes a great breakfast sandwich. The one who turns everything into double entendres (‘I’ll weed your garden’). And the one who can calm her unruly thoughts with a single touch. But when you can change husbands as easily as changing a lightbulb, how do you know whether the one you have now is the good-enough one, or the wrong one, or the best one? And how long should you keep trying to find out?
Bex has the perfect stepdaughter. Only she knows something is very wrong. When the new family moves to the remote Suffolk countryside, danger threatens in this twisty, atmospheric psych thriller.
‘A charming break from reality‘ Publishers Weekly
Probably Nothing is the answer to just how far sheer awkwardness can take someone. Peppered with Lauren Bravo’s irresistible wit it explores the relatable modern conditions of both health anxiety and people-pleasing.
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Burnt-out from a demanding job and a bustling life in the city, Emelie has left town to spend a few days in the country. Once there, in the peaceful, verdant hills, down by the river she encounters a mysterious group of seven people, each with personal stories full of pain, alienation, and the longing to live differently. They are misfits, each in their own way, and all led by the enigmatic and charismatic Sara. How did they end up there? Are they content with the rigid roles they’ve been assigned? And what happens when an outsider appears and is initially drawn to their alternative lifestyle but cannot help but stir things up?
‘The major publication milestone of 2025’ OBSERVER
A publishing event ten years in the making–a searing, exquisite new novel by the best-selling and award-winning author of Americanah and We Should All Be Feminists-the story of four women and their loves, longings and desires.
‘Fabulous, relaxing, page-turning, dream-inspiring’ MIRANDA HART
‘Exquisitely beautiful and so perceptive’ JOANNA CANNON
From the Costa-shortlisted author of THE OTHER HALF OF AUGUSTA HOPE and ALL MY MOTHERS
Daphne always loved the way her fiancé Peter told their story. How they met (on a blustery day), fell in love (over an errant hat), and moved back to his lakeside hometown to begin their life together. He really was good at telling it – right up until the moment he realized he was actually in love with his childhood best friend Petra. Which is how Daphne begins her new story: Stranded in beautiful Waning Bay, Michigan, without friends or family but with a dream job as a children’s librarian (that barely pays the bills), and proposing to be roommates with the only person who could possibly understand her predicament: Petra’s ex, Miles Nowak. Scruffy and chaotic, Miles is exactly the opposite of practical, buttoned up Daphne, whose coworkers know so little about her they have a running bet that she’s either FBI or in witness protection.
The power dynamics of the office are never more obvious than when it comes to food: mandatory lunches with the boss, the colleague who tries to curry favour with home-baked goods, discovering the discarded remnants of someone else’s late-night binge. In their Saitama office, Ashikawa is the kind of woman Nitani knows he will likely marry: sweet, obliging, and determined to wean him off his addiction to instant noodles. But he finds himself increasingly unable to respect her – or the sugary treats she shares around the workplace, winning their colleagues’ affection with baking rather than hard work. Oshio is bolder and uninhibited – she is Nitani’s drinking buddy. In the oppressive office atmosphere, the pair grows closer, both outsiders struggling with the rigid status quo.
With the stylistic mastery of Georges Perec and nihilism of Michel Houellebecq, Perfection, superbly translated by Sophie Hughes, is a brilliantly scathing sociological novel about the emptiness of contemporary existence, beautifully written, impossibly bleak.
Anna has just lost her taste for the Big Apple. Anna has a life to envy. An apartment in New York. A well-meaning (too well-meaning?) partner. And a high-flying job in beauty PR. Who wouldn’t want all that? Anna – it turns out. Turning a minor mid-life crisis into a major life event she bins the lot, heads back to Ireland, and gets a PR job for a super-high-end coastal retreat. Tougher than it sounds. Newsflash: the locals hate it. So much so, there have been threats – and violence. Anna, however, worked in the beauty industry. There’s no ugliness she hasn’t seen. No wrinkle she can’t smooth over. Anna’s got this. Until she discovers that leaving New York doesn’t mean escaping her mistakes. Once upon a time she’d had a best friend. Once upon a time she’d loved a man. Now she has neither. And now she has to face them. We all make mistakes. But when do we stop making the same one over and over again?
Freakonomics
1 × £10.99 Things I Dont Want To Know
1 × £10.99 Subtotal: £21.98
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