These Mortal Bodies
£9.99Dark academia about a working class student’s transformative first year at a prestigious university, surrounded by gothic architecture, secret societies and witchcraft.Â
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Dark academia about a working class student’s transformative first year at a prestigious university, surrounded by gothic architecture, secret societies and witchcraft.Â

A funny, gruesome and addictive guide to surviving your camping experience at the horror-filled Goat Valley Campground, from camp manager Kate. Based on the popular reddit r/nosleep series, for fans of Welcome to Night Vale and Grady Hendrix.

Margot and Mama have lived by the forest since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. Mama loves the strays. She feeds them wine, keeps them warm. Then she satisfies her burning appetite by picking apart their bodies. But Mama’s want is stronger than her hunger sometimes, and when a white-toothed stray named Eden turns up in the heart of a snowstorm, little Margot must confront the shifting dynamics of her family, untangle her own desires and make her own bid for freedom.

A funny, gruesome and addictive guide to surviving your camping experience at the horror-filled Goat Valley Campground, from camp manager Kate. Based on the popular reddit r/nosleep series, for fans of Welcome to Night Vale and Grady Hendrix.

Dark academia about a working class student’s transformative first year at a prestigious university, surrounded by gothic architecture, secret societies and witchcraft.Â

In the course of assembling her thesis, Minerva uncovers information that reveals that Tremblay’s most famous novel, The Vanishing, was inspired by a true story: Decades earlier, during the Great Depression, Tremblay attended the same university where Minerva is now studying and became obsessed with her beautiful and otherworldly roommate, who then disappeared under mysterious circumstances. As Minerva descends ever deeper into Tremblay’s manuscript, she begins to sense that the malign force that stalked Tremblay and the missing girl might still walk the halls of the campus. These disturbing events also echo the stories Nana Alba told about her girlhood in 1900s Mexico, where she had a terrifying encounter with a witch. Minerva suspects that the same shadow that darkened the lives of her great-grandmother and Beatrice Tremblay is now threatening her own in 1990s Massachusetts.

Quietly disturbing and blending the uncanny with societal conversation-starters, it tells the story of Ellen, a young ghost-writer sent to record the memoirs of an elderly woman living in a remote Northumberland manor. Elver House is dilapidated, its faded beauty falling to ruin.

Tense, atmospheric and darkly funny, The Sleepwalkers is a a sublimely creepy contemporary gothic work about a relationship unravelling that asks urgent questions about a contemporary society where our basest selves are hidden in plain sight.

Nestled among rugged mountains, in a remote part of Catalonia frequented by wolf hunters, bandits, witches, deserters, ghosts, beasts and demons, sits the old farmhouse called Mas Clavell. Inside, an impossibly old woman lies on her deathbed while family and caretakers drift in and out. All the women who have ever lived and died in that house are waiting for her to join them. They are preparing to throw her a party. As day turns to night, four hundred years’ worth of memories unspool, and the house reverberates with the women’s stories. Stories of mysterious visions, of those born without eyelashes and tongues or with deformed hearts. But it begins with the story of the matriarch Blanca who double-crosses the devil, heedless of what the consequences might be.

When dead-end dishwasher Kostya discovers the ability to summon spirits through the food he cooks, he embarks on a journey to open a New York City restaurant that serves closure – something he’s craved for as long as he can remember. There are just three problems: 1. Kostya has some ghosts of his own. 2. His advancing menu of spirit cuisine is threatening the stability of the Afterlife itself. 3. He’s falling in love with Maura, a party psychic with her own secret connection to the Afterlife – who also happens to be the one person who knows he must be stopped.

Aine should be feeling happy with her life. She’s just moved in with Elliot. Their new flat is in an affluent neighbourhood, surrounded by bakeries, yoga studios and organic vegetable shops. They even have a garden. And yet, from the moment they move in, Aine can’t shake the sense that there’s something not quite right about the place. It’s not just the humourless estate agent and nameless landlord: it’s the chill that seeps through the draughty windows; the damp spreading from the cellar door; the way the organic fruit and veg never lasts as long as it should. And most of all, it’s the upstairs neighbours, whose very existence makes peaceful coexistence very difficult indeed. The longer Aine spends inside the flat – pretending to work from home; dissecting messages from the friends whose lives seem to have moved on without her – the less it feels like home.

When the stones of her home begin to rattle and call out to her in the quiet of the night, Pauline Sinclair knows she will not live to see her 100th birthday. From educating herself through stolen books to becoming one of the most successful ganja farmers in the area and raising a family, Pauline has lived a life on her own terms in Mason Hall, a rural Jamaican village. Yet these whispering walls promise to topple the foundations of her security and exhume Pauline’s many buried secrets, including the mysterious disappearance of the man who came to claim the very land on which she built her home, stone by stone, from the ruins of a plantation. Compelled to make peace before she dies, Pauline decides to leave the only home she has ever known on a final, desperate mission to uncover truths she could never have imagined.
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