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R is a zombie. He has no name, no memories, and no pulse, but he has dreams. He is different from his fellow dead. Amongst the ruins of an abandoned city, R meets a girl. Warm and fierce and very much alive, Julie is a blast of colour in a dreary grey landscape.
Centuries ago, the holy river Saraswati flowed through what is now Punjab. Many dismiss this as myth, but when Satnam arrives in his ancestral village for his grandmother’s funeral, he finds water in the dried-up well behind her house. The discovery sets in motion a contentious scheme to unearth the lost river as an act of Hindu nationalist pride. The river changes the course of Satnam’s life, and those of six others. As legends and histories resurface, the distant relatives – from a Canadian eco-saboteur to a Mauritian pest exterminator to a Bollywood stunt double – are brought together in a rapidly changing India.
Kate Battista is feeling stuck. How did she end up running house and home for her eccentric scientist father and uppity, pretty younger sister Bunny? Plus, she’s always in trouble at work – her pre-school charges adore her, but the adults don’t always appreciate her unusual opinions and forthright manner. Dr Battista has other problems. After years out in the academic wilderness, he is on the verge of a breakthrough. His research could help millions. There’s only one problem: his brilliant young lab assistant, Pyotr, is about to be deported. When Dr Battista cooks up an outrageous plan that will enable Pyotr to stay in the country, he’s relying – as usual – on Kate to help him.
Jeanette Winterson’s version of Shakespeare’s ‘The Winter’s Tale’ vibrates with echoes of the original but tells a contemporary story of betrayal, paranoia, redemption and hope. Time itself is a player in this game of high stakes that will either end in tragedy or forgiveness, showing us that, however far we have been separated, whatever is lost shall be found.
It is late September in 2001 and the walls of New York are papered over with photos of the missing. Cora Brady’s father is there, the poster she made taped to columns and bridges. Her mother died long ago and now, orphaned on the cusp of adulthood, Cora is adrift and alone. Soon, a letter will arrive with the offer of a new life: far out on the ragged edge of Ireland, in the town where her parents were young, an estranged aunt can provide a home and fulfil a long-forgotten promise. There the story of her family is hidden, and in her presence will begin to unspool.
A newborn baby is the sole survivor of a terrifying plane crash. She is raised in wealthy isolation by an overprotective father. She knows nothing of the rumours about a beautiful young woman, hidden from the world. When a suitor visits, he understands far more than he should. Forced to run for his life, he escapes aboard The Porpoise, an assassin on his tail. So begins a wild adventure of a novel, damp with salt spray, blood and tears. A novel that leaps from the modern era to ancient times; a novel that soars, and sails, and burns long and bright; a novel that almost drowns in grief yet swims ashore; in which pirates rampage, a princess wins a wrestler’s hand, and ghost women with lampreys’ teeth drag a man to hell – and in which the members of a shattered family, adrift in a violent world, journey towards a place called home.
For Constance ‘Connie’ Costa, life is just beginning. She dreams of leaving behind her dull, dreary life in ’70s East London, shaking off her deeply embarrassing Greek-Cypriot community of interfering aunties and pretend ‘cousins’, and running away with her best mate Vas (fellow misfit; NHS specs; soul of a poet). She is determined to take her rightful place alongside her hero, David Bowie, onstage at Wembley Stadium. Only one thing stands in her way: her father, The Fat Murderer. No longer content with being an absolute imbecile and general abomination of nature, he has dialled up his campaign to ruin Connie’s life ever since the death of her mother. If she ever wants to claim the destiny that is rightfully hers, Connie has only one option left: to kill him.
The Other Bennet Sister presents Mary Bennet in a whole new light as she becomes Austen’s newest leading lady. Soon to be a major BBC One TV series.
It’s the mid-1960s and Lillian Wells is a clever teenager with a daring pixie cut, tangerine mini-dress and new boyfriend, Jim, who works at the brewery. Even better, he lives across the road, so she’s never far from her bee-hived, high-heeled single mother Winnie, who is prone to attacks of the nerves. But Lillian harbours secret dreams of going to art school in London. When she gets in, how will she tell her mother – and Jim – that she’s leaving Abingdon – and them? Forty years later, Lillian’s own daughter Rachel is heading off to university, but Lillian is not sure either of them are ready. She sees herself and Winnie in Rachel, who is ambitious and intelligent, but also prone to nervous habits. As Lillian tries to bite her tongue about Rachel’s symptoms, she is reminded of what everyone in Abingdon used to say: It’s a short road to Longbrook – the local institution for the mentally ill.
As the first female team owner in Major League Baseball, Reese Remington has spent her entire life preparing for this role. But under constant scrutiny and pressure to prove herself, Reese can’t afford distractions. Especially one that comes in the form of the team’s tempting field manager who questions her every decision. After years of running the team his way, the last thing he wants is a new boss – let alone one who seems ice-cold and laser-focused on business. But forced to spend long hours – and too many away games – side by side, he begins to see the fire beneath Reese’s control, the heart behind her ambition and the unwavering determination to prove herself. When heated banter turns into sizzling chemistry, professional boundaries blur and the spark between them becomes impossible to resist – and keeping their distance is one game neither of them can seem to win.
Everyone has secrets. YouTube baking sensation April Masterson knows the secret to the perfect gooey brownies. Or how to make key lime squares that will melt in your mouth. But if you keep watching her offline, you may find out some other secrets about April. Secrets she’d rather you didn’t know. Like where did her son go when he snuck out of the house? What was she doing with the local soccer coach behind fogged windows? And what’s buried in her backyard? Everyone has secrets. Some are worse than others. April’s secrets are enough to destroy her. I’ll make sure of that.
On a spring day in 1998, literature professor Bluma Lennon buys a used copy of Emily Dickinson’s poems from a Soho bookshop. Moments after she starts reading it, she’s struck by a car on a street corner and killed. After her funeral, one of her colleagues – the book’s narrator – receives a package addressed to Bluma: a broken-spined old copy of Conrad’s The Shadow-Line, inscribed with her own dedication. Intrigued, he sets off on a quest that leads him to Buenos Aires, searching for clues about Carlos Brauer, a devoted book collector, and his mysterious connection to Bluma. Already a worldwide classic in its genre, The Paper House is a venture beyond our shadow lines, and what we fear to leave behind to cross them.
The hotly anticipated second book in the HEARTSTRINGS series from number one Sunday Times bestselling author, B. K. Borison. Two competing meteorologists are forced to find common ground in this opposites attract, When Harry Met Sally-inspired romance.
Dell Danvers is barely keeping it together. She’s behind on rent for her bathroom-less studio apartment (formerly a walk-in closet), she’s being plagued by perpetual, spiking stomach pain, and her younger sister, Daisy, is in a coma at a hospital that wants to pull the plug. Unemployed and subsisting on selling plant propagations, Dell starts her own livestream in order to fundraise $14,000 for a week of private life support for Daisy. Finally, Dell has found something she’s good at. But when a troll-turned-incel threatens to expose her past, Dell must reckon with what her digital life ignores and what real redemption means.
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