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Tara Selter has slipped out of time. She has accumulated 365 November 18ths. It’s been a year without seasons. Time is broken: it no longer passes.Tara herself has been changed, but the loop of the days has left her without a future. A winter, a spring, a summer must come. Tara will have to make them herself.
Tara Selter has slipped out of time. Every morning, she wakes up to the 18th of November. She no longer expects to wake up to the 19th of November, and she no longer remembers the 17th of November as if it were yesterday. She comes to know the shape of the day like the back of her hand – the grey morning light in her Paris hotel; the moment a blackbird breaks into song; her husband’s surprise at seeing her return home unannounced. But for everyone around her, this day is lived for the first and only time. They do not remember the other 18ths of November, and they do not believe her when she tries to explain. As Tara approaches her 365th 18th of November, she can’t shake the feeling that somewhere underneath the surface of this day, there’s a way to escape.
Orla has always been the sidekick, never the hero. Until, that is, she secures a funded place at an elite drama course and puts her own dreams first for once in her life. Suddenly, Orla is centre-stage and loving it! But the drama crowd are experienced performers and their parents have shelled out a fortune for them to be on the course. Orla can’t help but feel left out – she has to earn her pocket money and her responsibilities at home can’t just be ignored. Then again, doesn’t she deserve to want things for herself? Especially when beautiful and funny drama boy, Cass, starts flirting with her. With life-changing auditions around the corner Orla finds herself torn in two by an impossible choice. Should she protect her chosen family, or herself?
Between 1199 and 1399, English politics was high drama. These two centuries witnessed savage political blood-letting – including civil war, deposition, the murder of kings and the ruthless execution of rebel lords – as well as international warfare, devastating national pandemic, economic crisis and the first major peasant uprising in English history. Arise, England uses the six Plantagenet kings who ruled during these two centuries to explore England’s emergent statehood. Drawing on original accounts and arresting new research, it draws resonances between government, international relations, and the abilities, egos and ambitions of political actors, then and now. Colourful and complicated, and by turns impressive and hateful, the six kings stride through the story; but arguably the greatest character is the emerging English state itself.
When Tom Layward’s wife had an affair he resolved to leave her as soon as his youngest daughter turned eighteen. Twelve years later, while driving her to Pittsburgh to start university, he remembers his pact. He is also on the run from his own health issues, and the fact that he’s been put on leave at work after students complained about the politics of his law class – something he hasn’t yet told his wife. So, after dropping Miriam off, he keeps driving, with the vague plan of visiting various people from his past – an old college friend, his ex-girlfriend, his brother, his son – on route, maybe, to his father’s grave in California.
Nora Breen arrives inconspicuously in the seaside town of Gore-on-Sea, and takes a room at the Gulls Nest guest house. Supper is at 6 o’clock sharp, and there will be no admittance after 9 – a routine Nora likes, as it reminds her of her former life as a nun. As she settles in, she is careful not to reveal too much about herself to the other guests. Instinct tells her it’s better to watch and listen. Because Nora is not here on a whim. She has a disappearance to investigate. Before long, Nora realises that she may not be the only resident hiding something at Gulls Nest. To untangle the web of secrets and deceit, she’ll need to do more than just observe. Does she have what it takes to stop a killer?
On a Yorkshire farm, a man is brutally bludgeoned with a solid gold bar. A plucky young journalist sets out to uncover the truth surrounding the attack, connecting the dots between an amoral banker landlord, an iconoclastic columnist, and a radical anarchist movement. She solves the mystery, but her viral longread exposé raises more questions than it answers. ‘Universality’ is a twisty, slippery descent into the rhetoric of truth and power. Through a voyeuristic lens, it focuses in on words: what we say, how we say it, and what we really mean.
In the summer of 1941, Hitler ruled Europe from the Atlantic to the Black Sea. Britain was struggling to combat the Nazi propaganda machine, which crowed victory and smeared its enemies. But inside Germany, there was one notable voice of dissent from the very heart of the military machine: Der Chef, a German whose radio broadcasts skilfully questioned Nazi doctrine. But what audiences didn’t know was that Der Chef was a fiction, a character created by the British propagandist Sefton Delmer. This is the incredible true story of the complex and largely overlooked significance of Delmer’s role.
Oh no! The zoo is going to close! And all of the animals will be sent back to where they came from. Lin the Bad Panda is happy about the idea of being returned to the panda sanctuary from where she came. She can’t wait to be reunited with her beloved brother, Face-Like-A-Bag-Of-Potatoes. But Lin is definitely NOT happy about being separated from her new-found zoo family. Surely all the animals should be kept together? This is a job for the baddest of pandas! Lin will need rage and bad behaviour. Only then will she be able to keep her zoo family in one place.
A group of college friends find themselves marooned at a luxurious hotel on the Amalfi Coast in Italy. While their boat is being repaired, they can’t help but observe the daily routine of a fellow hotel guest – a mysterious, white-bearded stranger who sits on the veranda each night and smokes one cigarette, sometimes two. When the group decides to invite the elegant traveller to lunch with them, they cannot begin to imagine the miraculous abilities, strange wisdom, and a life-changing story he is about to impart to one of the friends in particular.
It was the beginning of summer, and I was 19 years old. Yayoi lives with her perfect, loving family – something ‘like you’d see in a Spielberg movie’. But while her parents tell happy stories of her childhood, she is increasingly haunted by the sense that she’s forgotten something important about her past. Deciding to take a break, she goes to stay with her mysterious but beloved aunt Yukino, whose strange behaviour includes waking Yayoi at two in the morning to be her drinking companion, watching Friday the 13th repeatedly and throwing away all the things she wants to forget. Living a life without order, Yukino seems to be protecting herself, but beneath this facade Yayoi starts to recover lost memories, and everything she knows about her past threatens to change forever.
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