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It all starts when Petra and her little sister Patch hear a horrifying story from the past and find themselves making up a ghost. Is it imaginary? Is it real? Then it all starts again thirty years later when Petra, now estranged from Patch, finds a phantom horse kicking the furniture to pieces in her bedroom. What to do? She phones her sister.
It is September 1974. Two men meet by chance in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema, the designer responsible for realising the spectacular visions of Fellini and Pasolini. Donati is in Venice to produce sketches for Fellini’s Casanova. A young – and beautiful – apprentice is just what he needs. He sweeps Nicholas to Rome, into the looking-glass world of Cinecittá, the studio where Casanova’s Venice will be ingeniously assembled. Then in the spring, the lovers move together to the set of Salò, Pasolini’s horrifying fable of fascism. But Nicholas has a secret and in this world of constant illusion, his real nature passes unseen. Amidst the rising tensions of Italy’s ‘Years of Lead’, he acts as an accelerant, setting in motion a tragedy he didn’t intend.
In this keenly awaited new collection, Zadie Smith brings her unique skills as an essayist to bear on a range of subjects which have captured her attention in recent years. She takes an exhilaratingly close look at artists Toyin Ojih Odutola and Celia Paul. She invites us along to the movies, to see and to think about Tar, and to Glastonbury to witness the ascendance of Stormzy. She asks us to look again at the young Michael Jackson and to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. And she shows us once again her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times.
A spellbinding story of two young people whose fates intersect and diverge across continents and years – an epic of love and family, India and America, tradition and modernity.
Arundhati Roy’s first work of memoir, this is a soaring account, both intimate and inspiring, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as ‘my shelter and my storm’.
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