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Rebecca Solnit investigates the nature of loss, losing and being lost. She starts with the revelation that what is totally unknown to you is usually what you most need to discover and explores how finding that unknown quantity frequently requires getting lost to begin with.
Highways tend to be built across the easy routes and flat places, or the landscape is cleared away – logged, graded, levelled, tunnelled through – or the roadway lifted above it to streamline the journey. But to stick to these roads is to miss what else is out there. In her writing and activism, Rebecca Solnit has sought the back roads and the pathless places in order to celebrate indirect and unpredictable consequences, which, she argues are key to understanding power and the possibilities of change. Picking up where ‘Hope in the Dark’ left off, collected together here are Solnit’s best recent essays about the climate crisis, as well as her broader reflections on women’s rights, the fight for democracy, the trends in masculinity, and the rise of the far right in the West.
This is a memoir from the author of ‘Men Explain Things to Me’ that asks how a young writer finds her voice in a society that prefers women to be silent. From the era of punk, growing gay pride and West Coast activism through to the latter years of second-wave feminism and the present day, this is the foundational story of an emerging artist struggling against violence and oppression. It is an electric account of the pauses and gains in feminism over the past forty years.
‘Outside my work the thing I care most about is gardening’ wrote George Orwell in 1940. Inspired by her encounter with the surviving roses that Orwell planted in his cottage in Hertfordshire, Rebecca Solnit explores how his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and the intertwined politics of nature and power.
This is a memoir from the author of ‘Men Explain Things to Me’ that asks how a young writer finds her voice in a society that prefers women to be silent. From the era of punk, growing gay pride and West Coast activism through to the latter years of second-wave feminism and the present day, this is the foundational story of an emerging artist struggling against violence and oppression. It is an electric account of the pauses and gains in feminism over the past forty years.
In this investigation into loss, losing and being lost, Rebecca Solnit explores the challenges of living with uncertainty. The book takes in subjects as eclectic as memory and mapmaking, Hitchcock movies and Renaissance painting. Beautifully written, it combines memoir, history and philosophy, shedding glittering new light on the way we live now.
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