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Speaking out for the first time, and in unforgettable detail, about the traumatic events of August 12th, 2022, Salman Rushdie answers violence with art, and reminds us of the power of words to make sense of the unthinkable. ‘Knife’ is a gripping, intimate, and ultimately life-affirming meditation on life, loss, love, art – and finding the strength to stand up again.
Speaking out for the first time, and in unforgettable detail, about the traumatic events of August 12th, 2022, Salman Rushdie answers violence with art, and reminds us of the power of words to make sense of the unthinkable. ‘Knife’ is a gripping, intimate, and ultimately life-affirming meditation on life, loss, love, art – and finding the strength to stand up again.
In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for a goddess, who tells her that she will be instrumental in the rise of a great city called Bisnaga – literally ‘victory city’ – the wonder of the world.Over the next two hundred and fifty years, Pampa Kampana’s life becomes deeply interwoven with Bisnaga’s as she attempts to make good on the task that the goddess set for her: to give women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and as years pass, rulers come and go, battles are won and lost, and allegiances shift, Bisnaga is no exception.
In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for a goddess, who tells her that she will be instrumental in the rise of a great city called Bisnaga – literally ‘victory city’ – the wonder of the world. Over the next two hundred and fifty years, Pampa Kampana’s life becomes deeply interwoven with Bisnaga’s as she attempts to make good on the task that the goddess set for her: to give women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and as years pass, rulers come and go, battles are won and lost, and allegiances shift, Bisnaga is no exception.
Los Angeles, 1991. Ambassador Maximilian Ophuls, one of the makers of the modern world, is murdered in broad daylight on his illegitimate daughter India’s doorstep, slaughtered by a knife wielded by his Kashmiri Muslim driver, a mysterious figure who calls himself Shalimar the clown.
This is a many-layered narrative in which the complexities of the Indian sub-continent are projected through the minds of many characters. Comic, tragic and fantastic by turns, this is the novel which revolutionised English fiction.
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